Willy Mason – If The Ocean Gets Rough (2007): Review

There’s something endearing about the way in which Willy Mason conducts his singer/ songwriter lifestyle, a sense that he’s not bound by the chains of his art. He carries no inclination to appear hip, has no ego, chooses not to appear aloof from his audience, and reading and listening to interviews, one gets the impression that monetary rewards for his ability are indeed a bonus, because his biggest thrill is just picking up the Guitar and adding his world weary tones. At 22, he remains a prodigious talent waiting for the masses to tune in to his travelling troubadour persona, and if many thought his 2004 debut “Where Humans Eat” was a precocious teenage fluke in its ultimate quality, then “If The Ocean Gets Rough” should surely qualify Mason as one of the most seriously overlooked songwriters of the past few years. Many hacks try to tag him as a protest singer, which frankly he’s not. His protestations and ruminations are distinctly aimed at the small town world he exists in, with blue collar tales sung blue of the world in microcosm. Mainly written during European tours, there’s still a sense that his Martha’s Vineyard home is never far from him, and the homespun charms are fully exploited by an easy, mid tempo folk veneer which seeks more precise arrangements than his debut.

Whatever the subject matter Mason sings of and however downbeat his songs may appear, the lyrics generally carry a battle hardened message of hope. This is perfectly exemplified by the depth of the outstanding opener “Gotta Keep Walking”, where the beleaguered singer carries more than the weight of the world with impossible determination. “Save Myself” catalogues a multitude of catastrophes, simply erased by the arrival of the love of Mason’s life, all played over an almost jaunty bar room chug. “I Can’t Sleep” has all the simple melancholy and acoustic chord structure of a mid sixties Beatles classic. The powerful ode to his father and the death of his grandfather are passionately displayed on “The World That I Wanted”, a song about manhood and understanding the intense, unexplainable bond between father and son. KT Tunstall contributes affecting dual vocals to “We Can Be Strong”, which celebrates a culture that a successful formula in life doesn’t necessarily have to follow the well worn route. Production and arrangements feel intimate, homely (Mason’s mother adds some of the backing vocals), and this adds a personal, almost cloying confessional aspect to every song.

Forget the constant references to 60’s singer/songwriter nostalgia. Mason is NOT a remnant of a bygone age, he’s a new improved proposition and “If The Ocean Gets Rough” deserves your complete attention.

8/10

1 Gotta Keep Walking 3:12
2 The World That I Wanted 4:19
3 We Can Be Strong 3:55
4 Save Myself 3:44
5 I Can’t Sleep 3:25
6 Riptide 2:58
7 When the River Moves On 4:38
8 If the Ocean Gets Rough 3:51
9 Simple Town 4:02
10 The End of the Race 3:28
11 When the Leaves Have Fallen 4:43

“Save Myself”

“We Can Be Strong”

Hackskeptic’s 500 Greatest Songs: Small Faces – Itchycoo Park (1967)

453 – Small Faces – Itchycoo Park (1967)
Written by Steve Marriott, Ronnie Lane
Produced by Steve Marriott, Ronnie Lane
Label – Immediate

Small Faces were one of the most innovative pop bands of the decade and “Itchycoo Park” captures every ounce of ambition by moulding a simple sing-a-long melody with a breathtaking spirit of carefree psychedelia. From Marriott’s superb vocal, to the cleverly engineered Flanging effect, all held together by Ian McLagan’s bright keyboard motif and Kenney Jones’ deep rolling drum fills, it’s a thrilling snapshot of a band that never truly received the accolades they probably deserved.

“Itchycoo Park”

Neil Young – Living With War (2006): Review

Neil Young has always been pretty pissed off it seems. He’s been recording anti government, and anti war songs off and on for the last 35 years and some have hit the mark like 1970’s “Ohio”, some have been time capsules of history, and some have been well intentioned but ultimately half baked protests. Following his performance at this years SXSW he immediately went into the studio, obviously insisting on capturing the pent up frustration before it subsided into an ageing procrastination. The result, “Living With War” is a whole hearted stab at the President (“Lets Impeach The President”), the War in Iraq (“Shock And Awe”, “Living With War”), and a reflection on Vietnam (“Roger And Out”). Using the choir and the usual suspects from last years “Prairie Wind”, the album is a series of melancholic Folk style statements beefed up with power chords and an almost live feel.

As a musical rather than Political event the album misfires badly. The tunes aren’t invigorated, due to a wooly recording effort which highlights Young’s vocal deficiencies, muddies the backing vocals and fails to capture the passion that one would expect from a man seething with a mistrust for the authority of the land. There are a couple of exceptions in the opener “After The Garden” and the closer “America The Beautiful” which brings together the choir for a finale of powerful and epic crescendo. The rest just comes across as slapdash sloganeering perfectly emphasized on “The Restless Consumer” as Young nauseously repeats the phrase “We don’t need no more lies”. It’s a shame really, because there is obviously still a need for the protest album in todays society, but one would have hoped that Neil Young could have given us something more direct and musically confrontational. “Living With War” just feels terribly undercooked.

Sadly, for all its heartfelt intention, “Living With War” sounds spark less, tired and sterile. Powerful gestures, carelessly crafted.

6/10

1 After the Garden 3:23
2 Living With War 5:04
3 The Restless Consumer 5:47
4 Shock and Awe 4:52
5 Families 2:25
6 Flags of Freedom 3:42
7 Let’s Impeach the President 5:10
8 Lookin’ for a Leader 4:03
9 Roger and Out 4:25
10 America the Beautiful 2:56

“After The Garden”

“Living With War”

Hackskeptic’s 500 Greatest Songs: Elbow – One Day Like This (2008)

454 – Elbow – One Day Like This (2008)
Written by Guy Garvey, Elbow
Produced by Craig Potter, Elbow
Label – Fiction

Stirring “Hey Jude” styled vocal climax, an uplifting call and response melody and string accompaniment, and Guy Garvey’s heartfelt narrative makes for one of the true epic’s of the late decade. Heard in every slo-mo sports montage for the next couple of years, Elbow had finally emerged to a greater public awareness with this superb anthem.

“One Day Like This”

XTC – The Big Express (1984): Review

“The Big Express” was a huge commercial disappointment for both band and fans alike. This may have been in part due to the fact that the singles pulled from the album fared badly, and of the three only “All You Pretty Girls” made the UK top 50. This seems at odds with the good initial reviews the album received, hardcore XTC fans loved it, and even leader Andy Partridge was quoted as saying that it was some of the best song writing of his career. Having stopped performing live due to Partridge’s stage fright there was plenty of opportunity to concentrate on the production and recording process and David Lord and the band certainly deliver an intricate, multi layered performance.

Fans of XTC will have been used to Andy Partridge and Colin Moulding’s sense of sunshine English whimsy, and their career up until then had been an upbeat experience in leftfield Pop, sharply literate, and largely consistent. “The Big Express” still shows those signs, but only fleetingly and on the whole the album harbours a serious dark side which is portrayed in the difficult rhythmic forays of “Shake You Donkey Up”, “Seagulls Screaming Kiss Her, Kiss Her”, and “Reign Of Blows”. For this listener the songs seem too deep, too abstract to refresh and when one compares this work with the likes of other XTC albums such as “The Black Sea”, “Skylarking” or “Nonsuch”, it’s far less memorable. Listen to “Wake Up” and “The Everyday Story Of Smalltown” which capture the more traditional XTC and you have at least two songs that stand up to anything from their back catalogue.

“The Big Express” is for XTC completists only.

5/10

A1 Wake Up 4:40
A2 All You Pretty Girls 3:40
A3 Shake You Donkey Up 4:19
A4 Seagulls Screaming Kiss Her, Kiss Her 3:58
A5 This World Over 5:37
B1 The Everyday Story of Smalltown 3:55
B2 I Bought Myself a Liarbird 2:49
B3 Reign of Blows 3:30
B4 You’re The Wish You Are I Had 3:17
B5 I Remember the Sun 3:08
B6 Train Running Low on Soul Coal 5:10

“All You Pretty Girls”

“Wake Up”

Hackskeptic’s 500 Greatest Songs: The Hives – Hate To Say I Told You So (2000)

455 – The Hives – Hate To Say I Told You So (2000)
Written by Randy Fitzsimmons
Produced by Pelle Gunderfelt
Label – Burning Heart

5 brash, comic book garage rock revivalists with a mystical manager and songwriter from a sleepy little town in Sweden (Fagersta). The vast fjords couldn’t drown this killer riff and just for the briefest of moments one thought that punk rock had found its new heroes. The Hives have produced other great singles, but none have the powerful impact of this, their greatest 3 minutes.

“Hate To Say I Told You So”

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